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Snaking horizontally and vertically, the initially black and white, later colourful meander motifs of the early 1980s shifted gradually from symbolizing a frame towards ornamentation, to be transformed into dichromatic hexagons constructed in diverse ratios, used as hovering slim poles or imitating a robust building mass sticking out of the picture. For the first time in almost two decades, the dichromatic band of colour reappears in the paintings of 2017, as frame, as an almost architectural element giving an illusion of depth, or as a simple rectangular symbol.

Compared to former, mainly architecturally inspired works of Bak with similar themes, the current landscapes avoid any kind of figurativeness.